“Get In The Front Seat II (feat. Barbara Efremius)”: Kingdom Sound Machine Unleashes a Bigger, Brighter Afro-Pop Experience.

Toronto’s creative group Kingdom Sound Machine returns with fresh energy in their latest release, “Get In The Front Seat II (feat. Barbara Efremius).” This remix reimagines Barbara Efremius’s debut single. It not only refines the song’s original vibe but also turns it into a fuller, richer, global musical journey. Produced by multi-platinum producer and DJ Roy Hamilton III, the track shows how a remix can expand the emotional and musical landscape of a song instead of just repackaging it.

While the original version of “Get In The Front Seat” took a straightforward pop approach, “Get In The Front Seat II (feat. Barbara Efremius)” introduces a deeper pulse and stronger presence. Warm Afro-Pop percussion blends with smooth synth textures and a rounded bassline, creating a confident beat that moves your body. This rhythmic boost doesn’t overshadow the lyrics; instead, it highlights Barbara Efremius’s unique voice in a way that feels fresh and purposeful. Her light tone glides over the groove, giving the message of stepping forward in life and love a greater sense of urgency.

What makes this release stand out is the collaboration among all contributors. Kingdom Sound Machine brings in global dance elements, while Roy Hamilton III’s signature style adds clarity, impact, and an uplifting quality. You can hear the layers working in harmony: Afro-R&B warmth, modern pop brightness, indie-electronic space all woven into a remix that honors the original while confidently expanding it into a wider creative realm.

The song’s core message stays the same: take your place, act with purpose, and seize the moment. Yet the remix gives that message new energy. With “Get In The Front Seat II,” Kingdom Sound Machine and Barbara Efremius have created more than just a remix; they’ve crafted a musical upgrade full of color, rhythm, and emotional lift. This track represents an undeniable step forward for both artists and deserves a spot at the top of any modern-pop rotation.